60" Natural Pine Round Dining Table (VL-1087-24-0) by Moe's Home Collection
59.75"W x 59.75"D x 30"H
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60" Natural Pine Round Dining Table (VL-1087-24-0) by Moe's Home Collection
Natural Pine Round Dining Table with Cruciform Pedestal Base | 60 Inch | Seats 4 to 6
The base is a cruciform: two flat solid pine panels crossing at right angles at the floor, a central column rising from the intersection to carry the round top. No four-point base, no conventional legs, no apron. The structure is entirely visible and entirely simple. The round pine veneer top sits above the pedestal with a slight overhang, the solid pine edge clean at the perimeter, the grain of the veneer surface reading warm and active across the full disc face.
Pine reads differently from oak or walnut at the dining table scale. The grain is more open and variable, the tone a warm blonde with natural character present, knot marks and tonal shifts across the surface that oak veneer would suppress. At 59.75 inches in diameter this seats four with generous elbow room, six without crowding, no fixed head of table. The cruciform pedestal keeps the floor open on all sides and allows seating close to the base without a corner to navigate. At 151.8 lbs two people are required to position. Some assembly required.
The Charles Dining Table from Moe's Home Collection measures 59.75 inches in diameter and 30 inches tall. Solid pine edge with pine veneer over plywood top, solid pine cruciform pedestal base, natural finish. At 151.8 lbs it requires two people. Some assembly required.
- Solid pine edge and pine veneer over plywood top in natural finish, active grain throughout
- Cruciform cross-base pedestal, two flat panels at right angles, central column
- Round top, no fixed head position, open floor on all sides
- Seats 4-6 | 59.75" diameter x 30"H | 151.8 lbs
59.75"W x 59.75"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice