55" Natural Oak Rustic Coffee Table (QO-1020-24-0) by Moe's Home Collection
55"W x 36"D x 17"H
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55" Natural Oak Rustic Coffee Table (QO-1020-24-0) by Moe's Home Collection
Natural Oak Rustic-Grain Coffee Table on Rounded Plinth Base | 55 Inch | Coffee Table
The same plinth form at a fraction of the height: a wide rectangular top with rounded corners carried on a solid rounded-edge plinth base, the rustic oak grain running vertically along the base sides and horizontally across the 55-inch surface above. At 17 inches tall the proportions shift entirely -- the base height and the top overhang come into close visual parity, the piece reading as a wide, grounded mass rather than a table with legs underneath. Nothing here hovers. It lands.
At 55 by 36 by 17 inches the coffee table suits deep lounge seating where low surfaces read correctly against low seats. The plinth base means no underfoot clearance -- the center zone is solid material, and chairs and sofas approach from outside the base perimeter. From the side the top overhang and the base are in close proportion, making the silhouette denser than a leg-based alternative of the same dimensions. The rustic grain character would read at odds in a glossy or high-contrast modern interior; it belongs with linen, rattan, natural stone, or unsealed wood. At 98 lbs it holds position once placed. Assembly required.
The Winston Coffee Table from Moe's Home Collection measures 55 inches wide by 36 inches deep and 17 inches tall. Oak veneer over MDF top and base, solid oak base edge trim, natural finish. At 98 lbs it holds position. Assembly required.
- Oak veneer over MDF top and base, solid oak base edge trim, rustic grain throughout
- Rectangular top with rounded corners, rounded-edge plinth base, no conventional legs
- Low 17" height, 55"x36" top, no underfoot clearance beneath base
- 55"W x 36"D x 17"H | 98 lbs
55"W x 36"D x 17"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice