55" Natural Oak Coffee Table (YR-1007-24) by Moe's Home Collection
55"W x 30"D x 13"H
Ships in : 5-10 Business Days
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55" Natural Oak Coffee Table (YR-1007-24) by Moe's Home Collection
Natural Oak Low Profile Coffee Table with 2 Drawers and Plinth Base | 55 Inch
The form commits to its proportions: 55 inches wide and only 13 inches tall, the case barely rises above the floor. In natural oak veneer, the broad horizontal face carries pale grain across the room at ankle height. Two drawers, one under each half of the top, sit flush into the face with no visible hardware, push-to-open. The rubber wood plinth base is low and continuous, keeping the piece grounded rather than elevated. The top surface is level and uninterrupted. Nothing competes with the material.
At 13 inches this sits meaningfully lower than a standard coffee table, which asks something of the seating around it, lower sofas and chairs work well, or a willingness to reach slightly. That is the placement trade-off worth knowing before committing. In return the room reads differently: visual weight drops to the floor, the space above the table stays open, and the floor reads wider. The oak tone brightens in morning light and shifts toward amber in the evening. Pale oak surfaces show rings and scratches more readily than a darker finish would, which is an honest material fact, not a flaw, just a condition of working with light wood.
The Round Off Coffee Table from Moe's Home Collection measures 55 inches wide by 30 inches deep and 13 inches tall. Oak veneer over MDF with rubber wood plinth base. 2 push-to-open flush drawers. At 170.72 lbs it does not move once placed. Some assembly required.
- Oak veneer over MDF with rubber wood plinth base
- 2 push-to-open flush drawers, no visible hardware
- Very low 13-inch height profile
- Natural grain visible across full top surface
- 55"W x 30"D x 13"H | 170.72 lbs
55"W x 30"D x 13"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice