55" Brown Solid Acacia Slab-Leg Coffee Table (BB-1016-03-0) by Moe's Home Collection
55"W x 30"D x 16"H
Choose options
55" Brown Solid Acacia Slab-Leg Coffee Table (BB-1016-03-0) by Moe's Home Collection
Brown Solid Acacia Coffee Table with Full-Depth Slab Legs | 55 Inch | Solid Wood Coffee Table
Three slabs of solid acacia: one wide horizontal top, two full-depth vertical legs. The legs run the complete front-to-back dimension of the table, flat acacia panels rather than individual turned or tapered legs, the grain running vertically through both. No stretcher between them, no hardware visible from any face. The top has gently rounded edges across all four sides, the softened perimeter preventing the piece from reading as a raw lumber surface. Brown finish throughout, the natural tonal variation of acacia grain active across the full 55-inch width.
The slab-leg format is a structural decision that reads as a design choice: the table appears as three resolved planes of wood rather than a surface on a separate base. In a room with upholstered seating, solid acacia at this width anchors the floor plane in material warmth. The grain is the room-facing detail, the natural figure shifting from light to dark along each plank, more pronounced in morning light and quieter under evening lamps. At 153.89 lbs it holds position. Some assembly required.
The Lila Coffee Table from Moe's Home Collection measures 55 inches wide by 30 inches deep and 16 inches tall. Solid acacia wood in brown finish, two full-depth slab legs, rounded top edges. At 153.89 lbs it holds position. Some assembly required.
- Solid acacia wood in brown finish, natural grain variation active across full 55" width
- Two full-depth slab legs running complete front-to-back dimension, no stretcher
- Gently rounded top edges on all four sides, no visible hardware
- 55"W x 30"D x 16"H | 153.89 lbs
55"W x 30"D x 16"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice