53" Marble Top Coffee Table with Iron Frame (QJ-1022-34-0) by Moe's Home Collection
52.5"W x 27.5"D x 17"H
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53" Marble Top Coffee Table with Iron Frame (QJ-1022-34-0) by Moe's Home Collection
Italian Botticino Marble Top Coffee Table with Black Iron Frame | 52 Inch | Stone Top Coffee Table
Italian Botticino Marble -- a warm pale cream stone with subtle beige veining -- sits on a rectangular black iron frame. The iron base is a grid of flat bar stock: six legs arranged in three pairs along the length, connected by cross stretchers at mid-height, the structure fully open and visible beneath the stone slab. The contrast is intentional and direct: pale warm stone above matte black industrial iron, no transition material between them. The marble edge is visible as a thin pale band along all four sides of the top.
At 52.5 by 27.5 by 17 inches the proportions are rectangular and low. The open iron base keeps the piece visually light despite the stone weight -- the frame reads as a drawing of a table rather than a solid base, the floor visible through it from any sightline across the room. Botticino marble is among the quieter Italian stones: the veining is soft and the ground warm, the surface cooperating with most neutral room palettes rather than demanding a response from them. At 151.6 lbs it holds position. Some assembly required.
The River Coffee Table from Moe's Home Collection measures 52.5 inches wide by 27.5 inches deep and 17 inches tall. Italian Botticino marble top, black iron frame, plywood substrate. At 151.6 lbs it holds position. Some assembly required.
- Italian Botticino marble top, warm pale cream with subtle beige veining
- Black iron open-grid frame, six legs in three pairs with cross stretchers, no solid base
- Pale stone edge visible on all four sides, frame fully transparent from across the room
- 52.5"W x 27.5"D x 17"H | 151.6 lbs
52.5"W x 27.5"D x 17"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice