50" Natural Oak Round Coffee Table with Angled Legs (BC-1154-24) by Moe's Home Collection











50"W x 50"D x 16.5"H
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50" Natural Oak Round Coffee Table with Angled Legs (BC-1154-24) by Moe's Home Collection











Natural Oak Round Coffee Table with Angled Slab Legs | 50 Inch | Coffee Table
Four chunky slab legs angled outward at roughly 45 degrees from the underside of a 50-inch solid oak disc. That form is the piece's organizing decision: the legs are thick rectangular slabs, not turned or tapered, projecting from the body at a deliberate outward angle and landing flat at the floor. From the front two legs are visible, angled toward the viewer, reading as a primitive structural statement. The solid oak top is thick and large -- essentially a wide disc -- and its grain runs in arcs across the surface, which reads differently from any viewing angle as the center figure shifts.
At 16.5 inches tall and 50 inches across the proportions are very low and very wide. The table commands the center of a seating arrangement with a form that reads as more architectural than functional -- the angled slabs are not the most efficient support structure but they are the most considered visual one. In a room with other natural pale wood the top integrates as a warm horizontal plane; the angled slab legs read as a sculptural detail in any context, giving the piece presence from a standing position as well as from a seat.
At 105.6 pounds the table does not move easily once placed. This is a piece to position correctly before building the seating arrangement around it. The natural oak finish reads as warm and pale in most lighting conditions, brightening in direct sun and warming in evening lamplight into a richer amber tone.
- Dimensions: 50W x 50D x 16.5H inches
- Weight: 105.6 lbs
- Solid oak
- Round solid oak disc top -- four angled rectangular slab legs -- low coffee table height -- natural oak finish
50"W x 50"D x 16.5"H


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice