50" Dark Brown Coffee Table (YR-1014-20) by Moe's Home Collection
50"W x 40"D x 16"H
Ships in : 5-10 Business Days
Choose options
50" Dark Brown Coffee Table (YR-1014-20) by Moe's Home Collection
Dark Brown Solid Acacia Wood Coffee Table with Sculptural Rounded Form | 50 Inch
The edges on this table are not simply rounded, they are deeply curved, the top surface rolling over into the sides with enough radius that the piece reads as a single swelling volume rather than a flat slab on legs. In dark walnut-stained acacia, that geometry carries real weight. The four legs are thick cylinders, heavily proportioned, and they reinforce the sense that this is a piece built on mass and presence rather than restraint. At 50 by 40 inches it is a large coffee table, and it fills that footprint completely.
Solid acacia means the grain and color will vary, this is not a uniform, engineered surface. Some pieces will read cooler, some warmer; the walnut stain deepens the natural variation rather than hiding it. At nearly 16 inches tall it sits lower than a standard coffee table, which suits rooms with lower seating or where you want the table to recede visually even as the form draws attention. The sculptural quality earns it placement in rooms that can take a statement piece without competing with it.
The Rowan Coffee Table from Moe's Home Collection measures 50 inches wide by 40 inches deep and 15.75 inches tall. Solid acacia with dark walnut finish. At 223 lbs it is a permanent placement, position before surrounding pieces are arranged. Natural grain and color variation per piece. Some assembly required.
- Solid acacia with dark walnut finish
- Deeply rounded top edge profile
- Four thick cylindrical legs
- Natural grain and color variation per piece
- 223 lbs, permanent placement recommended
- 50"W x 40"D x 15.75"H | 223 lbs
50"W x 40"D x 16"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice