50" Bronze Organic Loop Wall Decor (GZ-1085-31) by Moe's Home Collection
50"W x 1.5"D x 26"H
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50" Bronze Organic Loop Wall Decor (GZ-1085-31) by Moe's Home Collection
Antique Bronze Cast Glass Interlocking Organic Loop Wall Art | 50 Inch | Wall Decor
Nine overlapping organic oval forms -- each a closed loop in cast glass -- interlock across a horizontal 50-inch span. The loops are not uniform: each has a slightly different shape and proportion, ranging from elongated to rounded, and the points of intersection create a layered arrangement that shifts reading with the viewing angle. From across the room the piece reads as a continuous gestural line. From up close the individual loop forms become distinct and the overlapping depth is apparent.
At 50 by 1.5 by 26 inches the piece is primarily a horizontal object -- the 26-inch height keeps it contained on most walls while the 50-inch width makes it substantial. The antique bronze finish gives the cast glass the warm, slightly worn tone of aged metal, which reads well against plaster, linen, and other warm neutrals. The loops are nearly flat against the wall and cast a subtle shadow line that contributes to the layered reading. The piece needs wall space proportional to its width; a narrow wall will make it feel crowded rather than displayed. At 15.4 lbs it installs with moderate effort.
The Coro Wall Decor from Moe's Home Collection measures 50 inches wide by 1.5 inches deep and 26 inches tall. Cast glass in antique bronze finish. At 15.4 lbs it installs with moderate effort.
- Cast glass in antique bronze finish, nine interlocking organic oval loops in overlapping arrangement
- Reads as gestural continuous line from a distance; individual loop forms read up close
- Warm antique bronze tone integrates with plaster, linen, and warm neutral surfaces
- 50"W x 1.5"D x 26"H | 15.4 lbs
50"W x 1.5"D x 26"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice