46" Black Lacquer Coffee Table (EW-1017-02-0) by Moe's Home Collection
46"W x 31.5"D x 16"H
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46" Black Lacquer Coffee Table (EW-1017-02-0) by Moe's Home Collection
Black High-Gloss Lacquer Asymmetric Coffee Table with Off-Center Pedestal | 46 Inch | Organic Form Coffee Table
The black version of this table does something categorically different from the ivory. Where ivory lacquer reads as a luminous, light-reflecting surface, black high-gloss lacquer reads as a spatial void at floor level, the asymmetric pebble outline visible as silhouette rather than as color. The off-center cylindrical pedestal and the organic top are identical in form to the ivory version, but the room consequence is entirely different. Black lacquer does not bounce light. It collects it, holds a single specular point from the nearest lamp source, and reads as a concentrated dark presence on the floor plane.
At 46 by 31.5 by 16 inches the black version sits at the same low coffee table height as the ivory but reads as heavier and more anchoring. In rooms built around light neutrals, natural wood, and pale upholstery, the black lacquer table provides the single dark object at floor level that grounds the arrangement without adding material complexity. The asymmetric form means the outline is never quite what the viewer expects from any approach angle. The off-center pedestal leaves the extended end of the top accessible from adjacent seating. At 74.8 lbs it holds position without anchoring. Some assembly required.
The Eden Coffee Table from Moe's Home Collection measures 46 inches wide by 31.5 inches deep and 16 inches tall. High-gloss black lacquer over MDF, asymmetric organic top form, off-center cylindrical pedestal. At 74.8 lbs it holds position. Some assembly required.
- High-gloss black lacquer over MDF, no grain or texture, dark spatial presence at floor level
- Asymmetric pebble/kidney top form, silhouette readable from every angle
- Off-center cylindrical pedestal, visual asymmetry carried through to base
- 46"W x 31.5"D x 16"H | 74.8 lbs
46"W x 31.5"D x 16"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice