43" Natural Oak Coffee Table with Lobed Top (BC-1155-24) by Moe's Home Collection
43.3"W x 43.3"D x 15.7"H
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43" Natural Oak Coffee Table with Lobed Top (BC-1155-24) by Moe's Home Collection
Natural Oak Coffee Table with Lobed Top | 43 Inch | Coffee Table
Same form as the dark version -- quatrefoil lobed top, four cylindrical column legs beneath the notches between the lobes, low coffee table height at 15.7 inches -- in a brushed natural oak finish that reads as a different room object entirely. Where the dark version adds gravity and visual weight to a seating arrangement, the natural oak version adds warmth without demanding attention. The lobed top still registers as a specific organic gesture; the cylindrical legs in warm pale wood read as solid without being heavy. Same structural logic, different atmospheric consequence.
In a room with pale floors and neutral upholstery the natural oak table integrates as a warm tonal peer rather than a contrast element. In a room where darker materials are already dominant the pale wood reads as a counterpoint at floor level -- a light warm form against heavier surroundings. The brushed texture on the oak surface gives it a slight linear depth rather than the flat read of a polished finish, which reinforces the natural-material quality at close range and in evening lamplight.
At 81.4 pounds the piece is solid and stable. The practical advantage of the round-footprint form over a rectangular coffee table is clearance: no corners project into seating paths, and the lobed silhouette is forgiving in compact arrangements. In a room that is building a natural-material language the natural oak version of this form serves as a warm anchor at the center of the seating arrangement.
- Dimensions: 43.3W x 43.3D x 15.7H inches
- Weight: 81.4 lbs
- Solid oak
- Quatrefoil lobed round top -- four cylindrical column legs -- low coffee table height -- brushed natural oak finish
43.3"W x 43.3"D x 15.7"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice