42" Beige Travertine Round Coffee Table (BZ-1153-34-0) by Moe's Home Collection










42"W x 42"D x 16.14"H
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42" Beige Travertine Round Coffee Table (BZ-1153-34-0) by Moe's Home Collection










Round Beige Travertine Coffee Table with Thick Cylinder Mango Wood Legs | 42 Inch | Stone Top Coffee Table
A round Turkish Beige Travertine top on three thick cylinder mango wood legs. Not four legs -- three, positioned at equal intervals beneath the 42-inch disc, the odd count giving the silhouette an open, slightly unexpected quality when viewed straight on. The mango wood legs are substantial cylinders in a dark warm brown, their diameter matching the weight of the stone above. The travertine surface carries the characteristic linear banding of the material -- horizontal striations in warm beige, cream, and pale ochre, the organic variation making each top slightly different.
Travertine with dark mango wood is a warm pairing: both materials live in the same tonal register without matching exactly, the stone carrying cool undertone that the wood's warmth counterbalances. At 42 by 42 by 16.14 inches the round form takes no directional position in the room -- it sits in the seating arrangement as an object rather than a piece of furniture with a front. The three-leg format means positioning matters; the open gap between any two legs should face where traffic passes. At 121.08 lbs it holds position without anchoring. Some assembly required.
The Landon Coffee Table from Moe's Home Collection measures 42 inches wide by 42 inches deep and 16.14 inches tall. Turkish beige travertine top, mango wood cylinder legs. At 121.08 lbs it holds position. Some assembly required.
- Turkish beige travertine top, horizontal banding in warm beige, cream, and pale ochre
- Three thick mango wood cylinder legs in dark warm brown, set at equal intervals
- Round 42" diameter top, 16.14" coffee table height
- 42"W x 42"D x 16.14"H | 121.08 lbs
42"W x 42"D x 16.14"H


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice