40" Red Marble Waterfall Coffee Table (GZ-1182-06-0) by Moe's Home Collection
40"W x 30"D x 16"H
Ships in : 5-10 Business Days
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40" Red Marble Waterfall Coffee Table (GZ-1182-06-0) by Moe's Home Collection
Rosso Levanto Marble Waterfall Coffee Table | 40 Inch | Stone Coffee Table
The same Rosso Levanto vocabulary as the accent table, at coffee table scale and proportion. The deep burgundy-red marble with white and ochre veining covers the top panel and both side panels in a continuous waterfall form. At 40 by 30 by 16 inches the piece sits low and wide, the red marble occupying a substantial floor plane presence. The veining continues from the horizontal top surface down each vertical side panel, the stone's movement wrapping without interruption across the corner transitions.
A red marble coffee table introduces chromatic weight at the center of the room. In the floor plan it anchors the seating arrangement as the room's material focal point, the burgundy ground warming the space and the white veining preventing the surface from reading as flat or heavy. In daylight the stone shows its full range of tonal movement; under lamps the red deepens and the surface becomes denser. The waterfall form keeps the piece reading as solid stone rather than a stone-topped structure. At 253.6 lbs it holds position once placed. Some assembly required.
The Rosa Coffee Table from Moe's Home Collection measures 40 inches wide by 30 inches deep and 16 inches tall. Rosso Levanto marble panels over iron frame, waterfall form. At 253.6 lbs it holds position. Some assembly required.
- Rosso Levanto marble: deep burgundy red ground with white and ochre veining throughout
- Waterfall form: top and two side panels continuous, same vocabulary as Rosa Accent Table
- Iron substrate, stone panels on all visible faces, no hardware visible
- 40"W x 30"D x 16"H | 253.6 lbs
40"W x 30"D x 16"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice