40" Navy Abstract Painting on Parchment (WP-1323-37) by Moe's Home Collection
40"W x 1.89"D x 40"H
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40" Navy Abstract Painting on Parchment (WP-1323-37) by Moe's Home Collection
Navy Indigo Vertical Column Painting on Cream Parchment | 40 Inch | Framed Wall Art
The composition is entirely vertical. Columns of deep navy-indigo paint rise from the base of the parchment, varying in height and width, the tallest reaching toward the upper center in a loose peak. The marks fade as they ascend -- denser and heavier at the base, thinning toward their tips where the warm cream parchment takes over. Between the columns, pale parchment strips read as negative space that is as active as the marks themselves. The material is parchment rather than canvas, giving the surface a softer-toned quality with a fine grain that absorbs the paint differently than stretched cotton would.
At 40 by 40 inches in square format the piece reads as a single dark rising mass from across a room -- the individual columns only resolve at closer distance. In warm natural material surroundings the navy reads as a cool weighted counterpoint; against a cool or grey wall the piece becomes tonal and restrained. The practical note: the dark mass at the base of the composition pulls visual weight to the lower half, which means hanging it too high makes the piece feel unbalanced. Hanging at eye level lets the dark mass settle correctly. The thin black frame stays out of the way. At 8.1 lbs it mounts easily.
The Nightingale Framed Painting from Moe's Home Collection measures 40 inches wide by 1.89 inches deep and 40 inches tall. Acrylic paint on parchment, solid pine frame in black. At 8.1 lbs it mounts easily.
- Acrylic paint on parchment, vertical navy-indigo column composition on cream ground
- Marks rise from dense base to fading tips, columns vary in height -- tallest at center
- Solid pine frame in black, square 40"x40" format, dark base composition needs correct hang height
- 40"W x 1.89"D x 40"H | 8.1 lbs
40"W x 1.89"D x 40"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice