36" Black Iron Overlapping Circles Wall Art (QJ-1027-02) by Moe's Home Collection
36"W x 1.5"D x 31"H
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36" Black Iron Overlapping Circles Wall Art (QJ-1027-02) by Moe's Home Collection
Black Iron Overlapping Circle and Half-Circle Wall Art | 36 Inch | Wall Decor
Two iron discs are mounted as one composition: a large half-circle on the left and a full circle on the right, their edges meeting and slightly overlapping at the center. Both read as nearly the same matte black, but the surface textures differ slightly -- the half-circle has a finer, more consistent matte, the full circle a slightly more variegated, mottled quality. That difference is subtle but it prevents the piece from reading as two identical elements: they share a color and a general material but each has its own surface character.
The geometry is the whole argument. No subject, no ornamentation, no color variation -- just two circular iron forms in a deliberate positional relationship. The half-circle reads as a form interrupted by the edge, which gives it energy that a second full circle wouldn't have. Together the composition reads as a fragment and a whole held in tension, and the overlapping edge is the moment where the tension becomes visible.
At 36 inches wide and 31 tall, this occupies significant wall space. In a room with warm or light-toned walls the dark iron reads as a defined graphic element; in a room with dark or heavily textured walls it can recede and the form becomes the only readable feature. The 1.5-inch depth keeps it present on the wall without projecting dramatically. Best hung where there is enough clear wall space for the circles to read as geometric forms rather than fitting awkwardly into a corner.
- Dimensions: 36W x 1.5D x 31H inches
- Weight: 24.6 lbs
- Iron
- Overlapping circle and half-circle forms -- matte black iron -- two-panel wall composition
36"W x 1.5"D x 31"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice