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36"W x 36"D x 12"H

$1,549.00
$2,237.00
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Live Chat 1-888-620-AURA Item #: GZ-1147-37
36" Black and White Coffee Table (GZ-1147-37) by Moe's Home Collection image
36" Black and White Coffee Table (GZ-1147-37) by Moe's Home Collection Sale price$1,549.00 USD Regular price$2,237.00 USD

Description

Chameau Coffee Table in Camel Bone and Resin with a Black and White Pinwheel Top

The Chameau table is a case where the surface is the entire argument. Camel bone set in dark resin covers every face: the top divided into four sections with parallel stripes shifting direction at each seam to create a pinwheel pattern at the center, the sides continuing the vertical stripe motif around the full circumference. The contrast between the pale ivory bone and the near-black resin is graphic at a distance and intricate close up, the individual pieces of bone reading as a hand-laid material rather than a printed surface. The antique brass iron legs keep the base subordinate, warm enough to complement the bone without competing with the patterned top.

The Chameau Coffee Table from Moe's Home Collection sits 12 inches tall at 36 inches in diameter. The low profile and round form let it anchor a lounge arrangement without blocking sightlines or adding visual bulk to the center of the space. At 61.18 lbs the construction is dense and stable. The bone and resin surface brings material specificity that standard coffee tables do not offer.

  • Camel bone in dark resin surface on top and sides
  • Black and white stripe pattern in a 4-section pinwheel layout
  • Antique brass iron legs
  • MDF substrate
  • 36"W x 36"D x 12"H | 61.18 lbs
MCM Dark wooden bed in a bedroom with a lamp and decor
Mid-century modern wooden desk with laptop, mug, and office supplies in a room with large windows and abstract art on the wall.

Meet the Maker

Moe's Home Collection:Forty Years of Furniture With a Point of View

Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.

That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.

A Design House, Not a Furniture Factory

The Pieces Feel Found - Not Simply Bought

Sara and Moe Jr

The Origin

A Family That BuiltSomething From Nothing

Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.

In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.

His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.

The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.

The goal was never perfection. It was presence.

Moe's Is Built for PeopleWho Notice the Difference

The Craft

Material First - Trend Second

Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.

The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.

The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.

- Moe's does not source furniture. It curates it.

The Designer's Choice

The Quiet Partner BehindNorth America's Finest Rooms

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