35" Black Coffee Table (JD-1035-02-0) by Moe's Home Collection
35"W x 35"D x 14"H
Ships in : 5-10 Business Days
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35" Black Coffee Table (JD-1035-02-0) by Moe's Home Collection
Black Acacia Round Coffee Table with Sphere Pedestal Base | 35 Inch | Sculptural Living Room Coffee Table
At 35 inches the proportional relationship between the sphere base and the disc top reads differently than it does in the larger version. The sphere occupies a more commanding share of the visual field relative to the narrower disc above it - the base is the primary form the eye engages, the top almost a consequence of the base rather than the other way around. The rounded ball of black acacia sits on a small flat ring at the floor, the disc extending past it on all sides at the equator. In black finish throughout, the grain reads only in raking light; in most room conditions the piece resolves as a single dark sculptural object at floor level.
At 14 inches this sits at usable reach from most low seating. The footprint is compact - 35 by 35 inches - which means it works in living rooms where a larger table would crowd the circulation path. The sphere base creates an organic visual anchor at the lowest layer of the room, which softens architectural or heavily geometric spaces and adds unexpected depth to rooms already built around organic forms. At 89.87 lbs it is manageable and repositionable with two people. The smaller Bradbury is the version that reads more as sculpture than as surface - the sphere dominates that reading at this scale. Some assembly required.
The Bradbury Coffee Table from Moe's Home Collection measures 35 inches in diameter and 14 inches tall. Acacia in black finish, round disc top on sphere pedestal base. At 89.87 lbs it repositions with two people. Some assembly required.
- Black acacia throughout - round disc top on sphere pedestal base
- Sphere base visually dominant at this scale
- Compact footprint - 35" diameter
- 35"W x 35"D x 14"H | 89.87 lbs
35"W x 35"D x 14"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice