32" Cranes in Flight Framed Painting (JQ-1052-37) by Moe's Home Collection
32"W x 1.75"D x 48"H
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32" Cranes in Flight Framed Painting (JQ-1052-37) by Moe's Home Collection
Framed Acrylic Painting of Cranes in Flight Against Warm Peach Ground | 32 Inch | Framed Painting
A flock of cranes moves in loose diagonal formation across the upper half of the canvas, each bird rendered in grey and silver with paint application that catches light at an angle -- the plumage has a textured, almost metallic quality that shifts between silver and warm gold depending on where you stand relative to the light source. The ground is a warm peachy-sand wash; the lower third softens into a hazier, more atmospheric zone. Black float frame around the canvas edge.
At 32 by 1.75 by 48 inches the canvas occupies significant wall space -- this is a piece for a wall that can hold it rather than a position where it will be overwhelmed by architectural elements. The bird-in-flight composition reads as animated from across the room, but the palette is warm and neutral enough to integrate without demanding a specific surrounding color. In direct daylight the metallic elements in the birds catch and shift; in the evening under warm lamp light they read as gold rather than silver. At 6.5 lbs it hangs on two picture hooks for stability.
The Unison Framed Painting from Moe's Home Collection measures 32 inches wide by 1.75 inches deep and 48 inches tall. Acrylic paint on canvas, solid wood frame on fir wood stretcher. At 6.5 lbs it hangs on two picture hooks.
- Flock of cranes in diagonal formation, plumage rendered with metallic paint application that shifts with light angle
- Warm peachy-sand ground fades to atmospheric haze in the lower third
- 32" x 48" canvas needs wall space to land -- not suited to narrow or tight architectural positions
- 32"W x 1.75"D x 48"H | 6.5 lbs
32"W x 1.75"D x 48"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice