104" Natural Oak Round-Leg Large Dining Table (YR-1011-24-0) by Moe's Home Collection
104"W x 39"D x 29"H
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104" Natural Oak Round-Leg Large Dining Table (YR-1011-24-0) by Moe's Home Collection
Natural Oak Veneer Rectangular Dining Table with Panel Slab Legs and Rounded Corners | 104 Inch | Seats 10 to 12
At 104 inches the large version extends sixteen inches beyond the small, seating ten comfortably and twelve at full capacity. The form is identical: two wide panel slab legs, a rounded corner rectangular top, natural oak veneer over MDF consistent across all surfaces. The proportional change is what matters. At 104 inches the top reads as a wide horizontal plane, the panel legs visually smaller relative to the full expanse of veneer above them. The table makes a room-scale commitment that the 88-inch version avoids.
Natural oak at this size is a room-defining material event. The fine grain runs the full 104-inch length of the top without interruption, the pale tone consistent across the entire surface. The panel legs at this scale read as structural support rather than design emphasis: the table is wide enough that the base is a foundation, not a feature. In dining rooms built to seat a full household, this is the correct format. At 275.58 lbs two people are required to position the table. Some assembly required.
The Round Off Large Dining Table from Moe's Home Collection measures 104 inches wide by 39 inches deep and 29 inches tall. Oak veneer over MDF with rubber wood base frame, two wide panel slab legs, rounded corner rectangular top in natural finish. At 275.58 lbs it requires two people. Some assembly required.
- Oak veneer over MDF in natural finish, pale grain across full 104" length
- Two wide panel slab legs, proportionally slender at large scale
- Rounded corner rectangular top, consistent with small version geometry
- Seats 10-12 | 104"W x 39"D x 29"H | 275.58 lbs
104"W x 39"D x 29"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice