Light Blue Cotton Table Lamp with Trim (OD-1032-45) by Moe's Home Collection
19.65"W x 19.65"D x 22.82"H
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Light Blue Cotton Table Lamp with Trim (OD-1032-45) by Moe's Home Collection
Light Blue Cotton Table Lamp with Contrast Trim | 22 Inch | Table Lamp
Same conical shade and tapered column base as the other versions in this series, but not monolithic. The shade panels are pale blue-white cotton with dark wine-burgundy trim piping running along every seam line, framing each faceted panel in a contrasting narrow border. The same wine trim continues around the bottom edge of the shade and at the base of the column. Where the cream and dark brown versions read as single-material objects, this one reads as a lamp with intentional decorative structure -- the trim lines make the shade's geometry legible as a visual element rather than simply as form.
The wine-burgundy trim against pale cotton is a warm, specific accent with period quality. It connects to the vocabulary of traditional lamp making where fabric shades used contrast welting or trim as a finishing detail, but the conical shade form keeps the piece contemporary rather than purely retrospective. In a room with warm-toned wood, aged leather, or deep textile tones, the wine trim connects without requiring a color match -- it reads as a warm accent at the lamp's scale.
The practical consequence of the trim detail: the lamp reads from across the room as a pale lamp with a visible dark border rather than as a recessive pale form. It occupies more visual attention than the plain versions. In a room that is already visually complex, that reading adds another layer; in a simpler room it earns its place as the surface's deliberate accent.
- Dimensions: 19.65W x 17.3D x 22.82H inches
- Weight: 1.8 lbs
- Cotton wrapped shade and base -- iron structure
- Tapered cone column base -- faceted paneled conical shade -- contrast wine-burgundy trim piping -- light blue and burgundy finish
19.65"W x 19.65"D x 22.82"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice