Brown Oak 2-Drawer Nightstand with Textured Exterior (JD-1099-03) by Moe's Home Collection
20"W x 16"D x 20"H
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Brown Oak 2-Drawer Nightstand with Textured Exterior (JD-1099-03) by Moe's Home Collection
Brown Oak Nightstand with Raised Square-Grid Textured Exterior and 2 Drawers | 20 Inch | Textured Wood Nightstand
The entire exterior -- both side faces and all drawer fronts -- is covered in a continuous grid of raised square tiles in warm brown oak. The squares run in regular rows and columns across every visible surface, each tile slightly elevated from the base plane, the grid casting small consistent shadows that deepen as the light rakes across the surface. Above all of it, the top surface is a flat plain oak panel -- smooth, uninterrupted, the contrast between the textured case and the plain top making each read more clearly.
At 20 by 16 by 20 inches this is compact -- more the proportions of an end table than a standard nightstand -- with two drawers providing closed storage behind the textured front. No applied hardware: the drawers pull open by a recessed grip. The square-tile relief reads at close range as a composed tactile pattern; across the room the warm brown oak reads as a single dimensional mass. At 53 lbs it holds position. Some assembly required.
The Gia Nightstand from Moe's Home Collection measures 20 inches wide by 16 inches deep and 20 inches tall. Oak and oak veneer in brown, two drawers, raised square-grid relief pattern across all exterior surfaces. At 53 lbs it holds position. Some assembly required.
- Oak and oak veneer in warm brown, raised square-tile grid relief across all exterior faces
- Two drawers with recessed pull, no applied hardware
- Flat plain top surface above textured case, compact 20" cube proportion
- 20"W x 16"D x 20"H | 53 lbs
20"W x 16"D x 20"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice