68" Cream Concrete Oval Bench (ZT-1037-05-0) by Moe's Home Collection








68.11"W x 15.75"D x 19.29"H
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68" Cream Concrete Oval Bench (ZT-1037-05-0) by Moe's Home Collection








Cream Concrete Oval Bench on Twin Cylindrical Pedestals | 68 Inch | Concrete Bench
The bench form of the Rocca series: a stadium-oval concrete seat on two cylindrical pedestals, the same form language as the dining table scaled down to bench dimensions. At 68 inches long and only 15.75 inches deep the top is extremely narrow relative to its length -- the oval ends are tight, the span between them long, the two cylinders positioned well inside the ends so the bench overhangs at both extremes. The seat surface has the same softened perimeter edge as the rest of the series.
At 68.11 by 15.75 by 19.29 inches the seat height is standard bench height. The narrow depth -- just under 16 inches -- limits the sitting position to front-edge perched rather than deeply seated, which is the expected use of a dining bench or entry piece rather than a lounge seat. The cream concrete reads as a cool, deliberate material object at the foot of a bed or along a dining wall, adding weight without color. The two cylindrical pedestals leave the floor plane clear beneath the seat ends. At 238.7 lbs it is permanent once placed. Assembly required.
The Rocca Bench from Moe's Home Collection measures 68.11 inches wide by 15.75 inches deep and 19.29 inches tall. Concrete construction in cream over iron support structure. At 238.7 lbs it is permanent once placed. Assembly required.
- Concrete construction in cream matte finish, stadium-oval seat top with softened perimeter edge
- Two cylindrical pedestals positioned inside the oval ends, seat overhangs at both extremes
- 68.11" span, 15.75" depth, 19.29" seat height -- suits dining or entry bench use
- 68.11"W x 15.75"D x 19.29"H | 238.7 lbs
68.11"W x 15.75"D x 19.29"H


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice