Slate Blue Upholstered Accent Chair (FO-1059-19) by Moe's Home Collection
29.5"W x 29.5"D x 31.9"H
Choose options
Slate Blue Upholstered Accent Chair (FO-1059-19) by Moe's Home Collection
Slate Blue Upholstered Tub Chair with Curved Back and Arch-Form Base | 32 Inch | Accent Chair
The form is a continuous rounded enclosure: the back curves from the rear across both sides, the arms the natural termination of that curve rather than separate elements, the seat a cushioned surface inside the barrel. Below the seat the upholstery continues down into two thick rounded arch-form base legs -- wide, squared-off arched shapes with rounded inner edges, the chair sitting on these two upholstered plinths with a void between them at the floor. No visible frame, no exposed legs, no hardware. The slate blue recycled polyester blend wraps every surface in a single continuous tone.
What the arch-form base does: it applies the same architectural geometry to a chair's support structure that the Aidy stool's form brings at ottoman scale. The two rounded arch plinths read as a considered design decision -- stable, legible, and part of the chair's sculptural identity rather than simply a structural solution. Slate blue at this form reads as a compact dark presence: the rounded back and arch base in the deep blue-grey reading as a resolved object at the seating zone. In daylight the 50% recycled polyester blend develops a slight textural depth; in warm lamplight the dark blue shifts toward charcoal and the form reads as quieter and more recessive.
At 29.5 wide and 32.7 deep the chair is compact -- the nearly square footprint reads as contained and resolved, the chair fitting into room positions where a wider armchair would crowd the space. At 31.9 high the seat height is mid-range. Common mistake: placing the arch-form base against a wall where the void between the arch legs disappears. The base reads best where the floor is visible between the two arch supports. Foam and fiber fill, plywood frame. At 60 pounds solid and stable.
- Dimensions: 29.5W x 32.7D x 31.9H inches
- Weight: 60 lbs
- 50% recycled polyester 50% polyester upholstery -- foam and fiber seat and back -- plywood frame
- Upholstered tub accent chair -- continuous curved back wrapping into arm panels -- arch-form upholstered base legs -- cushioned seat -- no visible frame -- slate blue recycled polyester upholstery
29.5"W x 29.5"D x 31.9"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice