Oatmeal L-Shaped Sectional with Chaise 98" (BC-1135-20) by Moe's Home Collection
18"W x 16.5"D x 26"H
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Oatmeal L-Shaped Sectional with Chaise 98" (BC-1135-20) by Moe's Home Collection
Brown Solid Ash Backless Counter Stool with Flat Panel Frame and Upholstered Seat | 26 Inch | Kitchen Counter Stool
The ash frame is the design event. The legs and apron rails are cut wide and flat, each panel with rounded interior corners that create a softened arch-like opening in every side of the frame structure. The inner radii are consistent throughout: front panel, back panel, and side panels all carrying the same rounded cutout, the whole frame reading as a series of solid wood arches at four sides rather than four individual legs. Small dark metal brackets appear at the junctions where the leg panels meet the seat rails, the hardware small enough to read as detail rather than structure. A cream upholstered cushion rests across the top.
At 18 by 16.5 by 26 inches this is a compact backless counter stool. The backless format and tight footprint allow multiple units to line a kitchen island without the visual crowding that back-and-seat stools create. The flat ash panels in a warm brown carry visible grain, the wood reading as a considered material choice at counter height. At 24.2 lbs it repositions easily. Some assembly required.
The Ashby Counter Stool from Moe's Home Collection measures 18 inches wide by 16.5 inches deep and 26 inches tall. Solid ash frame in brown, 100% polyester upholstered seat cushion, plywood seat base, small metal corner brackets. At 24.2 lbs it repositions easily. Some assembly required.
- Solid ash frame in warm brown, wide flat leg panels with rounded interior arch openings
- Small dark metal brackets at seat rail junctions, visible as detail hardware
- Cream upholstered cushion, backless format, compact footprint
- 18"W x 16.5"D x 26"H | 24.2 lbs
18"W x 16.5"D x 26"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice