Light Blue Globe Table Lamp with Opal Glass Shade (EL-1004-45) by Moe's Home Collection
5.9"W x 5.9"D x 7.9"H
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Light Blue Globe Table Lamp with Opal Glass Shade (EL-1004-45) by Moe's Home Collection
Light Blue Globe Table Lamp with Opal Glass Shade | 7 Inch | Table Lamp
Same globe form in a soft pale blue resin base -- the cooler finish of the four available versions. The blue is quiet: somewhere between duck egg and hazy sky, desaturated enough to read as a considered material choice rather than a strong color statement. Against the white opal glass sphere it introduces a gentle tonal contrast -- cool base, neutral globe -- that gives the lamp a slightly different character from the warmer versions without announcing it.
In a bedroom or study with cool-toned materials -- grey walls, pale linens, blue-green textiles -- the light blue base sits naturally within the palette. In a warmer-toned room it reads as the deliberate cool accent: one small element that introduces a different temperature within the overall register. That temperature note is subtle at object scale, noticeable in composition, and invisible in the light quality itself.
When lit, the warm opal glow from the glass sphere introduces a slight tension with the cool base below -- warm light above, cool surface beneath. It's a quiet contrast that reads as depth rather than discord, and it's most visible in the transition from daylight to lamplight in the evening. At 5.9 inches across and 7.9 tall, this is accent scale: a nightstand, a shelf, a bathroom ledge. Not a reading light, but a room presence.
- Dimensions: 5.9W x 5.9D x 7.9H inches
- Weight: 2.5 lbs
- Resin base -- opal glass shade -- 6-foot transparent cord
- Globe form -- soft pale blue resin base -- opal glass sphere
5.9"W x 5.9"D x 7.9"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice