Green Velvet Dining Chair (YM-1009-27) by Moe's Home Collection
23.6"W x 23.6"D x 31.9"H
Choose options
Green Velvet Dining Chair (YM-1009-27) by Moe's Home Collection
Sage Green Velvet Dining Chair with Curved Back and Open Arm Cutouts | 32 Inch | Dining Chair
The monolithic material commitment is what defines this form. Seat, back, arms, and legs are all covered in the same sage green velvet-like polyester -- no visible frame, no contrasting material note, no exposed wood or metal. The chair reads as a single continuous green sculptural form from the floor up, the legs and the rounded back and the arm structure all belonging to the same material statement. The rounded back curves low across the sitter's upper back -- almost a crescent in profile -- and the open arm cutouts read as voids carved out of the continuous form. The chair reads as an object placed at the table rather than a conventional upholstered piece assembled from components.
What the sage color does on this form: lighter and more pistachio-adjacent than most sage renderings, the green has a botanical, garden quality that reads as alive at the dining table. The velvet-like pile catches light directionally across the curved back -- the back's upper curve reading lighter where it faces the room's light source, the inner face pooling into a deeper, more saturated green in shadow. At the dining table this makes the chairs read as three-dimensional sculptural forms rather than flat surfaces: the light-side and shadow-side of each curve both visible simultaneously, the color reading as complex and dimensional rather than flat. In warm lamplight over a round dining table the effect is particularly resolved -- the backs catching the overhead glow against the deeper inner shadow.
The fully upholstered legs are the design trade-off that makes the monolithic form possible and requires more maintenance than exposed-frame alternatives. Velvet pile at floor contact will compress and show wear faster than bare wood or metal -- felt pads under each leg foot are recommended, and frequent dragging should be avoided. At 22.4 pounds per chair the piece has solid, settled weight at the dining position. At 23.6 inches wide the arm cutout adds width beyond an armless dining chair -- confirm clearance at the table position and between chairs before ordering.
- Dimensions: 23.6W x 22.6D x 31.9H inches
- Weight: 22.4 lbs
- 100% polyester velvet-weave upholstery -- iron frame -- foam seat
- Dining chair -- fully upholstered including legs -- curved low back -- open arm cutouts -- sage green velvet-weave polyester
23.6"W x 23.6"D x 31.9"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice