Flecked Black Armless Accent Chair with Wood Base (AZ-1006-02) by Moe's Home Collection
29"W x 35.8"D x 29"H
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Flecked Black Armless Accent Chair with Wood Base (AZ-1006-02) by Moe's Home Collection
Flecked Black Armless Accent Chair with Wood Frame Base | 29 Inch | Accent Chair
The wood frame does real work here. A low rectangular rubber wood base in warm brown sits exposed below the upholstered cushions, creating a visible material contrast at the chair's base that a fully upholstered form wouldn't have -- the warm wood reads as the structural foundation and connects to other wood in the room, while the dark cushion body above reads as the soft element resting within it. That separation of material and function is the piece's organizing principle.
The back cushion and seat cushion both carry horizontal channel stitching -- parallel lines running across the cushion faces that give each surface a defined horizontal register. In the flecked black polyester the stitching lines read as shadow lines at close range, adding the only surface detail to what would otherwise be a flat dark fabric. The flecked quality of the fabric is a salt-and-pepper variation rather than solid black -- lighter and darker threads woven together give the surface a slight tonal depth that a uniform black wouldn't provide.
At 29 by 35.8 inches the seat is notably deep for an accent chair -- nearly the cushion depth of a compact sofa. That generous depth gives the chair a lounging quality that is useful at 29-inch seat height in a reading or conversation position. At 41.5 pounds the piece places easily and can be repositioned without difficulty.
- Dimensions: 29W x 35.8D x 29H inches
- Weight: 41.5 lbs
- 100% polyester upholstery -- solid rubber wood and plywood frame -- rubber wood legs with plastic gliders
- Armless form -- horizontal channel-stitched cushions -- exposed warm brown wood frame base -- flecked black fabric
29"W x 35.8"D x 29"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice