Brown Faux Fur Accent Chair with Wood Base (AZ-1006-14) by Moe's Home Collection
29"W x 29"D x 29"H
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Brown Faux Fur Accent Chair with Wood Base (AZ-1006-14) by Moe's Home Collection
Golden Cream Faux Fur Accent Chair with Low Profile and Dark Rubber Wood Legs | 29 Inch | Accent Chair
The faux fur covers the entire seat and back in a warm, golden-cream pile -- a long, soft fiber that reads as shearling-adjacent from across the room, the individual fibers catching side light and creating depth across the chair's surface. The rubber wood legs are short, thick, and dark-stained, keeping the seat very close to the floor at 29 inches. This is not a conventional accent chair height -- it is a low, grounded seating position, designed for settling into rather than sitting upright. No arms. The back curves slightly around the sitter's sides without enclosing, the faux fur continuing across the back face in the same uninterrupted pile.
What faux fur at this form and scale does to a room: it introduces the most tactile surface in the seating zone. The golden-cream pile reads as warm and inviting from any viewing angle -- lighter where the fibers face upward, deeper and more dimensional in shadow. The color sits at the warm end of the cream range: more honey than white, with a warmth that integrates naturally with wood floors, terracotta tile, warm plaster, and linen. Against warmer surroundings it reads as the room's softest accent. In warm lamplight the golden undertone deepens and the pile develops a particular richness, the chair reading as the most settled and comfortable surface in the room. In afternoon light the fibers catch the directional glow across the seat face in a way that makes the chair visually present from across the space.
The low-profile form has a specific room consequence: in a reading corner or window position the chair reads as a deliberately grounded accent -- low, inviting, and not competing with the room's vertical elements. The dark rubber wood legs read as a warm material anchor that grounds the pale pile above without creating visual weight. The primary trade-off of long-pile faux fur in a seating piece: the pile shows compression at regular seating positions and benefits from periodic fluffing. Surface contact with rough-textured clothing or outdoor fabrics can catch the longer fibers. At 41.5 pounds the chair is stable at the accent position.
- Dimensions: 29W x 35.8D x 29H inches
- Weight: 41.5 lbs
- 100% polyester faux fur -- solid rubber wood and plywood frame -- rubber wood legs
- Accent chair -- low profile -- faux fur upholstery -- dark rubber wood legs -- no arms -- golden cream
29"W x 29"D x 29"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice