Black Slipcovered Armless Dining Chair (OA-1051-02) by Moe's Home Collection
26.75"W x 26.75"D x 34.3"H
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Black Slipcovered Armless Dining Chair (OA-1051-02) by Moe's Home Collection
Black Slipcovered Dining Armchair with Skirted Base | 34 Inch | Dining Chair
The same slipcovered armchair form -- loose fabric concealing the base in a draped skirt, padded arms, upright back with a gentle curve at the top -- in near-black. The black slipcover at the dining room perimeter is a different decision from the muted pale versions. It introduces a strong dark material note at each seating position: the draped silhouette reading as confident and composed, the fabric's looseness giving the dark form a considered softness it would not have with a tight, precise cover. Against warm wood and terracotta tile the black chairs deliver the dining arrangement's sharpest material contrast.
In morning light the near-black chairs read as graphic elements at each seating position -- the dark draped forms distinct and present against whatever warm material surrounds them. In warm dining lamplight the black deepens further, the chairs settling into the room's shadow register as anchoring presences at the table's perimeter. What the slipcover does for the black version is prevent the form from reading as harsh: the gathered skirt and the fabric's slight looseness contribute a domestic quality that keeps the dark chairs from reading as stiff or ceremonial. At this color, that quality matters.
Black dining chairs are the room's commitment -- they read at any distance and in any light condition, against any wall or floor finish. In rooms already weighted with dark materials the black slipcover chairs multiply the tonal density at seated level; in rooms running warm and pale they introduce a grounding dark note that can hold the arrangement's visual weight at the floor plane. Both readings are valid choices; neither is neutral. The skirted slipcover at floor level requires the same cleaning attention as the lighter versions -- floor-contact fabric gathers wear, and maintenance of the skirt's gathers is part of the long-term upkeep. At 43.8 pounds, 26.75 inches wide.
- Dimensions: 26.75W x 28D x 34.3H inches
- Weight: 43.8 lbs
- 100% polyester upholstery -- plywood frame -- foam
- Dining armchair -- slipcover -- skirted base -- padded arms -- black polyester
26.75"W x 26.75"D x 34.3"H
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Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice