96" Dark Brown Marble Dining Table (GK-1152-20-0) by Moe's Home Collection
96"W x 96"D x 30"H
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96" Dark Brown Marble Dining Table (GK-1152-20-0) by Moe's Home Collection
Dark Emperador Marble Dining Table with Rounded Corners and Double Cylinder Base | 96 Inch | Dining Table
Dark Emperador marble reads nothing like the pale-veined white marble that functions as hotel-neutral in dining rooms. It runs very dark -- a deep near-black brown base with streaks and veins of lighter warm brown, tan, and amber moving through the stone in irregular patterns. The result is a dining table surface that reads from across the room as a single authoritative dark plane: the rounded corners softening what would otherwise be a 96-inch rectangular mass, the two mango wood cylinder pedestals carrying the weight below as a warm dark wood structure. The dark stone and the espresso wood occupy the same rich, warm-dark tonal range -- not a contrast pairing but a tonal coordination, both materials saying the same thing in different registers.
The rounded corners are doing more work here than they do in the wood version of this form. At 96 by 40 inches a fully rectangular dark stone slab would read as an imposing architectural element rather than a dining table -- the sharp corners projecting hard into the seating positions, the full stone mass unrelieved. The dramatically rounded corners turn the perimeter into a continuous curve, the dark surface reading as a resolved organic form rather than a quarried slab with corners. At the end positions, where sitters face the semicircular end of the top, the curve is most apparent -- the seat closer to the table's center than a conventional rectangular end seat, the conversation more gathered.
The practical reality of a dark marble top inverts pale marble's concerns. Where pale marble shows every crumb and ring mark, dark Emperador absorbs visual clutter -- the complex veining makes minor marks read as part of the stone's pattern rather than against it. It still requires coasters and prompt wiping of acids; the stone carries real thermal mass, cool to the touch in the morning and tempering to room warmth by evening. Pair with warm upholstery and natural materials at the seating positions -- the dark stone table among pale chairs and a warm rug reads as a considered material contrast rather than a collision.
- Dimensions: 96W x 40D x 30H inches
- Italian Dark Emperador marble top -- mango wood base -- iron plate
- Dining table -- Italian Dark Emperador marble top -- dramatically rounded corners -- double cylinder pedestal base -- dark mango wood base -- seats 8-10
96"W x 96"D x 30"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice