96" Black Oak Dining Table (BB-1050-02-0) by Moe's Home Collection
96"W x 96"D x 29.5"H
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96" Black Oak Dining Table (BB-1050-02-0) by Moe's Home Collection
Near-Black Acacia Dining Table with Stadium Top and Double Cylinder Base | 96 Inch | Dining Table
The top's silhouette is what this table is. Not a rectangle, not a simple oval -- a stadium form: straight sides, fully semicircular ends, the entire 96-inch span resolving at each short end in a perfect half-circle. From across the dining room the form reads immediately as a resolved, composed shape rather than a practical surface -- the rounded ends visually softening what would otherwise be the room's largest horizontal mass while the straight long sides maintain the full practical dining span at both seating sides. Near-black acacia across the full surface, the top reading as a flat, matte dark plane above the base structure.
Below, two thick cylinder pedestals carry the weight -- each one a substantial dark column positioned beneath the point where each long side begins to curve into the semicircle. No legs along the long sides; the two cylindrical bases leave both full-length seating sides completely clear. At 96 inches the table seats eight to ten with good spacing, the straight sides providing maximum seating efficiency while the rounded ends allow end-position sitters to draw in without the sharp-corner experience of a conventional rectangular form. In morning light the near-black top absorbs light as a quiet, matte plane, the acacia grain barely perceptible beneath the dark finish. In warm dining lamplight the table reads as the room's dark horizontal anchor.
In a pale dining room this form reads as the space's dominant material decision -- which means it partners best with warm materials at the floor and walls that provide tonal counterweight. Natural fiber rugs, warm plaster, terracotta tile, and organic wood finishes on chairs all serve the dark table well; rooms already weighted with dark materials may find the near-black top amplifies the tonal density at the dining plane. At 96 by 40 inches, the full span requires delivery clearance and final positioning before surrounding furnishings are placed. The stadium top in near-black is not a discreet form -- it announces itself. That is its honest design character, and the room should be arranged around it accordingly.
- Dimensions: 96W x 40D x 29.5H inches
- Acacia wood -- iron
- Dining table -- stadium-form top (straight sides, semicircular ends) -- double cylinder pedestal base -- near-black finish -- seats 8-10
96"W x 96"D x 29.5"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice