83" Cream Concrete Oval Dining Table (ZT-1033-05-0) by Moe's Home Collection
82.68"W x 39.37"D x 30.12"H
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83" Cream Concrete Oval Dining Table (ZT-1033-05-0) by Moe's Home Collection
Cream Concrete Oval Dining Table on Twin Cylindrical Pedestals | 82 Inch | Dining Table
A complete concrete object: oval top, two cylindrical legs, the same cream matte surface carrying across all three elements without material or tonal interruption. The top is stadium-oval in plan -- fully rounded ends, straight edges at the sides -- with a slightly radiused perimeter edge that softens the visual boundary between top face and side. The two cylindrical legs are positioned inside the oval perimeter, which means the ends of the top overhang unsupported and the table reads from the end as a single hovering oval mass above two quiet vertical forms.
At 82.68 by 39.37 by 30.12 inches the table seats six comfortably. The oval form benefits seating at the ends in a way rectangular tables do not -- no corners to navigate, no awkward angular seat positions. In a room with warm or natural material surroundings the cream concrete reads as a cool counterweight, the matte surface absorbing light rather than reflecting it. In direct sunlight the surface texture becomes visible; in evening lamplight the cream deepens slightly toward warm white. The practical reality of 490 lbs means this table is placed once. Assembly required.
The Rocca Dining Table from Moe's Home Collection measures 82.68 inches wide by 39.37 inches deep and 30.12 inches tall. Concrete construction in cream over iron support structure. At 490 lbs it is permanent once placed. Assembly required.
- Concrete construction in cream matte finish, uniform surface across top and base legs
- Stadium-oval top with radiused perimeter edge, two cylindrical pedestal legs
- 82.68" seats 6, oval ends allow free chair placement, iron internal support structure
- 82.68"W x 39.37"D x 30.12"H | 490 lbs
82.68"W x 39.37"D x 30.12"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice