80" Red Oak Sideboard (BB-1057-04) by Moe's Home Collection















80"W x 80"D x 32"H
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80" Red Oak Sideboard (BB-1057-04) by Moe's Home Collection















Red Oak Sideboard with Raised Panel Door Faces | 80 Inch | Sideboard
The same raised panel grid at sideboard scale -- thirty-six raised rectangular panels across four doors, no hardware, angled block legs, thick top -- in red oak. At 80 inches the material shift from pale white oak to warm amber-brown reads as an entirely different room decision. Where the natural version reads as integrated and luminous against pale walls, the red oak version reads as a warm, anchoring presence: the amber-brown tone more settled and weighted at the room's primary horizontal surface, the panel grid reading with the same architectural clarity against a richer background. In morning light the open grain of the red oak is visible across each door panel face, the coarser pore structure contributing a rougher, more saturated surface texture than the white oak version.
In warm lamplight the red oak sideboard deepens into its richest tonal register -- the amber-brown at its most saturated across 80 inches of door face, the raised panel recesses developing their deepest shadows. Against warm wood floors and plaster walls the red oak reads as part of the room's material language; against cool or pale materials it introduces a strong warm wood accent at the dining room's most visible storage surface. The same panel geometry applies regardless of color -- thirty-six panels, three rows by three columns per door, the grid reading as a unified architectural surface across the full width.
The choice between the two Enya sideboard versions is a room temperature decision about the dining room's primary wall surface. Same construction, same panel relief, same hardware-free doors -- different atmospheric weight. At 20 inches deep the sideboard fits as a wall-adjacent piece without projecting significantly into the room. The 32-inch surface height is right for serving use and for display above. Red oak's open grain benefits from a sealing or oiling treatment to maintain the surface and resist moisture; use appropriate wood-care products and avoid abrasive cleaners on the door faces.
- Dimensions: 80W x 20D x 32H inches
- Red oak -- mango wood -- MDF and oak/mango veneer
- Sideboard -- four doors -- raised panel door faces -- angled legs -- red oak and mango wood
80"W x 80"D x 32"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice