60" Black Iron Round Dining Table (PZ-1009-02-0) by Moe's Home Collection
60"W x 60"D x 30"H
Choose options
60" Black Iron Round Dining Table (PZ-1009-02-0) by Moe's Home Collection
Black Iron Round Dining Table with Hexagonal Pedestal Base | 60 Inch | Dining Table
A round matte black iron top on a single hexagonal pedestal base. The base begins as a wide flat hexagonal plate at the floor and transitions upward through a faceted column to meet the underside of the round top. The geometry shifts from flat-sided hexagon at the base to circular at the top, and the transition reads as a deliberate architectural decision rather than a standard pedestal taper. Top and base are the same matte black iron throughout -- no contrast, no secondary material, nothing to interrupt the reading of the form.
At 60 by 60 by 30 inches the round table seats four to six. The hexagonal pedestal concentrates all visual weight at the center, leaving the floor clear at the perimeter and legroom open from every seat. The matte black reads as a strong material anchor in nearly any room -- warm wood floors, pale plaster, raw concrete, natural stone all receive it without competition. A table this dark and this heavy does something specific to a room: it commits. At 292 lbs it places once and stays. The weight is not a footnote; it should factor into placement. A team is required.
The Ethan Dining Table from Moe's Home Collection measures 60 inches wide by 60 inches deep and 30 inches tall. Iron construction in matte black throughout. At 292 lbs it requires a team to place.
- Iron construction in matte black throughout, no secondary material
- Single hexagonal pedestal base -- flat-sided hex at floor transitioning to faceted column
- Full legroom from every seat; 292 lbs places permanently -- not a piece that moves
- 60"W x 60"D x 30"H | 292 lbs
60"W x 60"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice