48" Sandy Terracotta Textured Relief Painting (WP-1303-37) by Moe's Home Collection
48"W x 1.89"D x 24"H
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48" Sandy Terracotta Textured Relief Painting (WP-1303-37) by Moe's Home Collection
Sandy Terracotta Textured Relief Painting in Warm Wood Frame | 48 Inch | Large Framed Wall Art
The surface of this painting is three-dimensional: raised ridges of acrylic medium built up in sweeping concentric arcs that read like topographic contour lines or wind-eroded stone layers. The entire composition moves in one direction -- the lines curve and fan across the horizontal canvas from the upper-left toward the lower-right, nested within each other as if recording the geology of a landscape cross-section. The palette is a single warm sandy terracotta, the ridges catching warm light and the valleys between them falling into shadow, which gives the piece its depth and shifts noticeably with the angle of the light.
At 48 by 24 inches in a warm amber pine frame the piece is wide and low in format -- the horizontal orientation reinforcing the landscape reference in the composition. In morning sidelight the texture is sharp and the ridge shadows dramatic. In warm evening lamplight the surface softens toward a unified warm field, the individual ridges dissolving into overall tone. The practical note is that the 1.89-inch depth is the textured surface itself, not a frame depth -- the physical relief of the painting requires careful packing and handling. At 7.4 lbs it mounts easily.
The Umbria Framed Painting from Moe's Home Collection measures 48 inches wide by 1.89 inches deep and 24 inches tall. Acrylic medium relief texture on canvas in sandy terracotta, solid pine frame in warm amber tone. At 7.4 lbs it mounts easily.
- Acrylic medium relief texture on canvas, three-dimensional topographic arc pattern
- Sandy terracotta throughout, depth varies with light angle -- morning sidelight sharpens ridges
- Solid pine frame in warm amber tone, wide horizontal 48"x24" format
- 48"W x 1.89"D x 24"H | 7.4 lbs
48"W x 1.89"D x 24"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice