43" Oatmeal Bun Lounge Chair (AZ-1004-05) by Moe's Home Collection
43.3"W x 39.4"D x 27.5"H
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43" Oatmeal Bun Lounge Chair (AZ-1004-05) by Moe's Home Collection
Flecked Oat Channeled Bun Lounge Chair | 43 Inch | Upholstered Lounge Chair
An oversized chair in the same family as the bun sofa -- low, heavily upholstered, and committed to a particular kind of softness. Where the sofa's form reads from the front as a continuous rounded sweep, the chair makes its intentions visible through the arms: they roll outward and slightly downward, thick and generously padded, with gathered fabric at the base that reads as the natural consequence of that much material pulled around that much fill. The channeled back adds vertical structure within the overall softness -- it prevents the silhouette from collapsing into undifferentiated mass.
At 43.3 inches wide, this sits considerably broader than a standard armchair. It reads as a lounge chair rather than a side chair -- a destination rather than a filler. In flecked oat, it shares the same warm, slightly textured character as the sofa: lighter in morning light, creamier in the evening. The two pieces work together without matching precisely, which is what makes them a genuine pairing rather than a matched set.
The same spring suspension and feather/fibre fill construction means this chair actually feels as soft as it looks -- the depth of sit is genuine. The trade-off is the same as the sofa: the feather fill needs regular reshaping. At 27.5 inches of seat height, it suits rooms with lower furniture throughout. If the room needs visual lift, a high-legged side table or lamp stand alongside it will do the work.
- Dimensions: 43.3W x 39.4D x 27.5H inches
- Weight: 66 lbs
- 90% polyester, 10% linen upholstery -- spring suspension with feather, fibre, and foam fill
- Pine and plywood frame -- wide bun lounge format in flecked oat
43.3"W x 39.4"D x 27.5"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice