40" Burgundy Organic Form Painting (WP-1324-37) by Moe's Home Collection
40"W x 1.89"D x 40"H
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40" Burgundy Organic Form Painting (WP-1324-37) by Moe's Home Collection
Burgundy Organic Form Painting with Vertical Line Texture on Cream Canvas | 40 Inch | Framed Wall Art
A loose grid of dark burgundy forms on cream canvas with fine vertical line texture running through the entire ground. The forms are organic: lens shapes, flattened ovals, a large diamond, angular triangular masses -- distributed across the canvas in loose rows, the arrangement systematic enough to read as ordered from across the room and organic enough on close approach to resist being called a grid. All are the same concentrated wine-burgundy, the color reading as deep and slightly textured where the underlying vertical lines show through the paint.
At 40 by 40 inches in square format the piece brings a single concentrated color into the room. Burgundy of this depth pairs with terracotta, warm wood, leather, and earthy neutrals -- materials that can absorb the richness rather than fight it. On a pale wall the forms read clearly and the cream ground registers as warm. The common mistake is placing it against a background that competes: dark walls dissolve the cream ground and the burgundy loses its reading. It needs a light surrounding surface. The thin warm walnut-tone frame keeps the presentation restrained. At 9.6 lbs it mounts easily.
The Amada Framed Painting from Moe's Home Collection measures 40 inches wide by 1.89 inches deep and 40 inches tall. Acrylic paint on canvas, solid pine frame in warm walnut tone. At 9.6 lbs it mounts easily.
- Acrylic paint on canvas, dark burgundy organic lens and diamond forms on vertically-textured cream ground
- Graphic composition reads as ordered from distance, organic in detail on close approach
- Solid pine frame in warm walnut tone, square 40"x40" format, needs pale wall surround
- 40"W x 1.89"D x 40"H | 9.6 lbs
40"W x 1.89"D x 40"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice