40" Aerial Landscape Painting Matted Frame (WP-1325-37) by Moe's Home Collection
40"W x 1.89"D x 40"H
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40" Aerial Landscape Painting Matted Frame (WP-1325-37) by Moe's Home Collection
Aerial Earthy Landscape Painting in White Canvas Mat | 40 Inch | Framed Wall Art
A small painted canvas centered within a large white canvas mat -- the same matted presentation as the Sonnet and Ode pieces. The painting is an aerial landscape: dark charcoal grey sky occupying the upper canvas, a dark channel of water or shadow cutting across the center, and in the lower half, green agricultural field forms and warm sandy-brown ground planes meeting in flat angular geometries. The paint is applied with visible impasto body throughout. The aerial perspective makes every element read as flat shape first, terrain second -- distance and place implied by tone and edge rather than perspective.
At 40 by 40 inches the mat field dominates the piece, as it does with the other works in this matted format. The painting floats as a studied object within the white field rather than filling the frame. The palette here is more varied: earthy green, warm brown, pale cream, dark charcoal. These tones sit well alongside natural materials, stone, and organic room surfaces. On a pale or warm white wall the matted piece reads quietly and collects without demanding. At 7.4 lbs it mounts easily.
The Vale Framed Painting from Moe's Home Collection measures 40 inches wide by 1.89 inches deep and 40 inches tall. Acrylic paint on canvas, canvas mat, solid pine frame in warm walnut tone. At 7.4 lbs it mounts easily.
- Acrylic paint on canvas, aerial landscape with dark sky, charcoal channel, green fields, and warm brown ground planes
- Large white canvas mat centered within square warm walnut-tone frame, impasto paint texture
- Earthy green, brown, grey palette -- pairs with natural materials and organic room surfaces
- 40"W x 1.89"D x 40"H | 7.4 lbs
40"W x 1.89"D x 40"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice