38" Natural Ash Round Cafe Table (EW-1034-24-0) by Moe's Home Collection
38"W x 38"D x 30"H
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38" Natural Ash Round Cafe Table (EW-1034-24-0) by Moe's Home Collection
Natural Ash Round Cafe Table with Conical Pedestal Base | 38 Inch | Round Dining Table
A round tabletop on a conical pedestal: that is the complete visible form. No legs, no apron, no additional structure visible at any angle. The solid ash wood top carries a raised edge lip at the perimeter, and the conical base tapers from a wide footprint at the floor upward to meet the tabletop underside. The natural ash grain runs across both surfaces, shifting in character between the solid wood top and the ash veneer base but reading as a unified material from across a room.
At 38 by 38 by 30 inches the round top seats two comfortably or four when pulled close. The conical base keeps the underfoot zone entirely open -- no legs to navigate, no apron catching knees, which matters most at this diameter where chairs approach from multiple sides. In warm evening light the ash grain deepens across the top surface. The practical trade-off of the pedestal base is that very large parties cannot spread chairs evenly around the perimeter without someone sitting behind the cone, so this table rewards four-seat use over crowded six-seat placement. At 135.89 lbs it requires two people and a fixed position. Assembly required.
The Tutto Cafe Table from Moe's Home Collection measures 38 inches wide by 38 inches deep and 30 inches tall. Solid ash wood tabletop with raised edge lip, ash wood veneer over MDF conical base. At 135.89 lbs it requires two people. Assembly required.
- Solid ash wood tabletop with raised edge lip, natural finish
- Ash wood veneer over MDF conical pedestal base, no conventional legs
- Open underfoot zone, round form seats 2 to 4
- 38"W x 38"D x 30"H | 135.89 lbs
38"W x 38"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice