35" Brown Mango Wood Nesting Coffee Tables Set of 2 (ME-1072-27) by Moe's Home Collection
20"W x 20.5"D x 37"H
Choose options
35" Brown Mango Wood Nesting Coffee Tables Set of 2 (ME-1072-27) by Moe's Home Collection
Heather Green Curved Shell-Back Counter Stool with Exposed Oak Frame | 37 Inch | Counter Height Bar Stool
The same scooped upholstered shell as the dining chair, carried to counter height. The curved back wraps from the upper corners inward, heather green 100% polyester covering the shell interior and seat. The exposed solid oak frame below the seat rail forms four tapered legs and a horizontal footrest stretcher connecting all sides at mid-height. Heather green is a muted sage-adjacent tone -- enough color to read as a design choice at kitchen counter height without crowding the room's palette.
At 20 by 20.5 by 37 inches the counter stool offers the same lateral back enclosure as the dining chair version, the curved shell providing side support at counter height. The exposed oak frame with footrest keeps the lower half open and visually light. At kitchen islands, the shell back reads above the counter plane, the curved upholstered form visible from across the room in the heather green tone. At 21.4 lbs it repositions easily. Some assembly required.
The Edward Counter Stool from Moe's Home Collection measures 20 inches wide by 20.5 inches deep and 37 inches tall. 100% polyester upholstery in heather green, solid oak frame with footrest stretcher, plywood seat base. At 21.4 lbs it repositions easily. Some assembly required.
- 100% polyester upholstery in heather green/muted sage, curved shell back wrapping from both sides
- Exposed solid oak seat rail, four tapered legs, and horizontal footrest stretcher in warm brown
- Counter height at 37", shell back visible above counter plane from standing position
- 20"W x 20.5"D x 37"H | 21.4 lbs
20"W x 20.5"D x 37"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice