30" Rosso Marble Cafe Table with Oak Pedestal (JD-1106-04-0) by Moe's Home Collection
30"W x 30"D x 30"H
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30" Rosso Marble Cafe Table with Oak Pedestal (JD-1106-04-0) by Moe's Home Collection
Rosso Alicante Marble Top Cafe Table with Oak Column | 30 Inch | Cafe Table
The marble top leads. Italian Rosso Alicante is a warm-base marble with a specific tonal character -- deep terra-cotta red ground with white veining that runs in broad sweeping lines and smaller green-teal inclusions. It is not a subtle or recessive material. At 30 inches across in round form, the Rosso Alicante top reads from across a room as a compact circle of warm red stone, and the combination of colors within the surface -- warm red, cool white, mineral green -- contains its own internal contrast without requiring anything else in the room to complete it.
Below the marble, the column is a tapered cone in natural oak -- wide at the floor, narrowing as it rises to the top. The oak grain reads as warm and pale against the darker marble above, and the two warm materials -- terra-cotta stone, pale wood -- connect by temperature without matching by tone. A small metal collar detail sits at the base of the column, the only hardware element visible in the form.
At 30 by 30 by 30 inches this is proportioned for counter-height seating -- bar stools, counter stools, or standing position at a kitchen island. The round top keeps the cafe table footprint compact. At 96.4 pounds the piece is heavy for its size due to the marble top, and placement should be final. In a room where other materials are pale or warm-neutral, the Rosso Alicante top introduces a strong color note that becomes the room's primary material statement at this table height.
- Dimensions: 30W x 30D x 30H inches
- Weight: 96.4 lbs
- Italian Rosso Alicante marble top -- oak wood column -- MDF
- Round marble top -- tapered oak cone column -- small metal base collar -- cafe table height
30"W x 30"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice