24" Cobalt Blue Tropical Botanical Painting (WP-1313-37) by Moe's Home Collection
24"W x 1.89"D x 32"H
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24" Cobalt Blue Tropical Botanical Painting (WP-1313-37) by Moe's Home Collection
Cobalt Blue Tropical Botanical Painting with Cream Plant Silhouette | 24 Inch | Framed Wall Art
A tropical plant painted as a single cream-off-white silhouette against a vivid cobalt blue ground -- the large paddle leaves, the branching stem, and the distinctive upright flower head rendered as flat cream shapes without interior detail or shading. The blue is assertive: a saturated mid-tone cobalt that reads clearly as a cool dominant color from across a room. The cream plant form floats within it, the botanical subject legible without any of the warmth or naturalism a detailed rendering would carry.
At 24 by 32 inches in portrait format the composition fills the canvas top to bottom. The cobalt blue brings a cool color note into whatever room it occupies -- its best context is a room that can absorb a strong blue, either because other blues are already present or because the surrounding warm materials provide contrast. On a pale or warm wall the blue reads more intensely; in a room with stone, warm white, and natural wood it integrates as a deliberate color accent. The dark walnut-tone pine frame grounds the palette at the edge. At 5.5 lbs it mounts easily.
The Paradis 2 Framed Painting from Moe's Home Collection measures 24 inches wide by 1.89 inches deep and 32 inches tall. Acrylic paint on canvas, solid pine frame in dark walnut tone. At 5.5 lbs it mounts easily.
- Acrylic paint on canvas, cream tropical plant silhouette on assertive cobalt blue ground
- Flat two-tone composition, botanical subject legible in silhouette form
- Solid pine frame in dark walnut tone, portrait 24"x32" format
- 24"W x 1.89"D x 32"H | 5.5 lbs
24"W x 1.89"D x 32"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice