24" Climbing Foliage Architecture Framed Print (JQ-1057-37) by Moe's Home Collection
24"W x 1.75"D x 32"H
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24" Climbing Foliage Architecture Framed Print (JQ-1057-37) by Moe's Home Collection
Cream Mat Climbing Foliage Architecture Print | 24 x 32 Inch | Botanical Framed Art
Where Retreat 1 frames a window, this one turns to the wall itself -- the corner of a building almost entirely consumed by climbing foliage. The image reads in tones of ash and smoke, with only the faintest suggestion of green in the leaves. That restraint is deliberate. Hung in a warm room, it adds a note of studied coolness that stops the space from getting too sweet.
The wide cream mat does the compositional work here. It holds the print back from the frame, letting the image breathe and giving the piece a quiet presence without demanding attention. Black frame, clean and recessive.
Pair it with the Retreat 1 companion print to extend the visual essay, or hang it alone above a console where you want something with weight but not color.
- Dimensions: 24W x 1.75D x 32H inches
- Weight: 7.5 lbs
- Wide cream mat with black frame
- Companion piece to the Retreat series
24"W x 1.75"D x 32"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice