22" Blue Tapestry Square Cushion (OA-1122-26) by Moe's Home Collection
22"W x 22"D x 6"H
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22" Blue Tapestry Square Cushion (OA-1122-26) by Moe's Home Collection
Blue Botanical Tapestry Square Cushion with Fringe Trim | 22 Inch | Throw Pillow
The pattern is a woven botanical -- large floral and leaf motifs in dusty blue-grey and cream, running across the full 22-inch face with no ground visible between the forms. This is a pattern with density and historical reference: the motifs belong to the tradition of botanical toile and tapestry weaves, the kind of surface that makes a cushion read as more considered than a solid-color option. The dark navy fringe at the perimeter frames the woven face with a contrasting edge that deepens the cushion's overall tonality -- the dark border drawing the eye inward to the lighter botanical ground.
What woven pattern does differently from plain pile: it introduces visual complexity at the sofa surface without requiring a color commitment. The blue-grey and cream tones of the tapestry belong in rooms running both warm and cool neutrals -- the cream in the pattern reading warmer, the blue reading as a cool counterpoint, both present in the same small surface area. From across the room the cushion reads as a blue-toned botanical. Up close, the individual motifs become legible and the woven texture becomes apparent -- the raised forms catching light differently from the ground. In warm lamplight the woven surface develops additional depth, the pattern reading as more dimensional than it does in flat daylight.
In a cushion arrangement this is the piece that carries visual weight without being loud. Against solid-color cushions -- a plain faux mohair, a flat linen, a solid velvet -- the tapestry reads as the arrangement's pattern anchor. At 22 inches square the motif scale is proportionally correct for the format: large enough that individual forms are readable, not so large that the pattern feels truncated at the edge. Feather and fiber fill gives it natural body. The dark fringe is a tonal decision -- it repeats the tapestry's darker blue notes at the perimeter, making the trim feel integral rather than added-on.
- Dimensions: 22W x 22D x 6H inches
- Weight: 4 lbs
- 100% polyester -- polyester fringe trim -- 60% feather 40% fiber fill
- Square throw pillow -- botanical tapestry woven pattern -- fringe trim -- blue-grey and cream -- feather and fiber fill
22"W x 22"D x 6"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice