Blue Slipcovered Armless Dining Chair (OA-1051-07) by Moe's Home Collection
26.75"W x 26.75"D x 34.3"H
Choose options
Blue Slipcovered Armless Dining Chair (OA-1051-07) by Moe's Home Collection
Slate Blue Slipcovered Dining Armchair with Skirted Base | 34 Inch | Dining Chair
The chair's defining vocabulary is the slipcover: a loose fabric cover that descends from the seat in soft gathers, falling to the floor in a brief skirt that conceals the chair's base structure entirely. No legs visible, no hardware at the base -- just upholstered seat and back above and a composed fabric drape below, the slipcover reading as a relaxed, unhurried formality at the dining position. The dusty slate blue -- more grey than vivid, quiet in its color intensity -- covers the entire surface: padded arms, upright back, and skirted fall in one continuous muted field.
At the dining table the slipcovered armchair has a particular social register: it is generous without being imposing. Padded arms, padded seat, an upright back with a slight curve at the top -- everything about the form is accommodating. The slate blue against warm wood surfaces reads as a composed, cool counterpoint, measured and considered rather than bright or declarative. Against warm terracotta tile or plaster walls the dusty blue-grey reads as period-appropriate and resolved -- the color sitting in the same range as aged European textiles, earned patina, comfortable rooms that did not design themselves all at once. In warm dining lamplight the slate shifts fractionally warmer but holds its characteristic cool-neutral character.
The slipcover skirt is the form's primary design choice and its main maintenance consideration. The fabric gathers at the floor line, and those floor-contact points accumulate wear over time -- cleaning requires attention to the gathered base rather than the simple surface of a tight-upholstered seat. At 26.75 inches wide the padded arms extend the chair's table-side footprint beyond what an armless version occupies; dining arrangements with these chairs should account for slightly more per-seat spacing than standard. At 43.8 pounds the chair is moveable but settled at the table position.
- Dimensions: 26.75W x 28D x 34.3H inches
- Weight: 43.8 lbs
- 100% polyester upholstery -- plywood frame -- foam
- Dining armchair -- slipcover -- skirted base -- padded arms -- slate blue polyester
26.75"W x 26.75"D x 34.3"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice